The forms are organic, random, and give almost an impression of movement, of a living marine organism.

Life takes possession of forms, and seems to want to extract itself from each of the works to gain space.

All of them appear in mutation : Ceramics became coralian for William Coggin, the resin becomes "flowing" for Léa Mestres, the marble intertwines and transforms into an abysmal element for Naaz, ceramics gives life to a series of aquatic mythological figures for Saraï Delfendahl, …

Artists seek to change our perception of functional objects: lights, seats, consoles become sculptures.

It is a real process of metamorphosis of our environment that these creators are proposing to us.

Each of the works thus retains a certain amount of mystery, as if they came from a world apart, in constant evolution.